The Kihon Geiko presented here is not an official of any Kyokushin Organization it is only a basic representation of what we learn in our school. The grading requirements in our school contain the following:
Theory
Exercises (Body conditioning)
Mind Conditioning (Relaxation, Meditation)
Stances
Blocks
Punches-Strikes
Kicks
Katas
Renraku
Goshin Jitsu (Self defense / Tachiwaza, Newaza, Gyakute...)
Kumite
Tameshiwari
Below there are names of some of the techniques that the students have to learn in order to pass grades.
1) SEIKEN: (NORMAL FIST)
|  | SEIKEN CHUDAN-TSUKI (MIDDLE PUNCH) | 
|  | SEIKEN JODAN-TSUKI (HIGH PUNCH) | 
|  | SEIKEN AGO-UCHI (FAST PUNCH TO THE CHIN) | 
|  | SEIKEN MAWASHI-UCHI (ROUNDHOUSE PUNCH) | 
2) TETTSUI : ( HAMMER FIST )
|  | TETTSUI KOME KAMI (STRIKE TO SIDE OF THE FACE) | 
|  | TETTSUI OROSHI GANMEN UCHI (DOWN TO THE FACE) | 
|  | TETTSUI HIZO UCHI (STRIKE TO THE SPLEEN) | 
|  | TETTSUI MAE YOKO UCHI JODAN (NAKA UCHI) | 
|  | TETTSUI MAE YOKO UCHI CHUDAN (NAKA UCHI) | 
|  | TETTSUI MAE YOKO UCHI GEDAN (NAKA UCHI) | 
|  | TETTSUI YOKO UCHI JODAN (OVER YOUR SHOULDER) | 
|  | TETTSUI YOKO UCHI CHUDAN (UNDER YOUR ARM) | 
|  | TETTSUI YOKO UCHI JODAN (YUYI UKE JODAN FIRST) | 
3) URAKEN: (BACK FIST)
|  | URAKEN SHOMEN-UCHI (FORWARD STRIKE TO THE FACE) | 
|  | URAKEN SAYU-UCHI (RIGHT-LEFT STRIKE TO THE SIDE) | 
|  | URAKEN HIZO-UCHI (STRIKE TO THE SPLEEN) | 
|  | URAKEN GANMEN OROSHI-UCHI (DESCENDING STRIKE TO THE FACE) | 
|  | URAKEN SHITA-UCHI (INVERTED-FIST LOW TRUST) | 
4) HIJI :(ELBOW)
|  | HIJI JODAN (UPPER STRIKE) | 
|  | HIJI CHUDAN-ATE (STRIKE TO THE ABDOMEN AND CHEST) | 
|  | HIJI AGE-UCHI (RISING ELBOW STRIKE) | 
|  | HIJI OROSHI-UCHI (DESCENDING ELBOW STRIKE) | 
5) UKE :(BLOCK)
|  | SEIKEN JODAN-UKE (HIGH BLOCK) | 
|  | SEIKEN CHUDAN UCHI-UKE (MIDDLE BLOCK) | 
|  | SEIKEN CHUDAN SOTO-UKE | 
|  | SEIKEN GEDAN-BARAI(DOWN BLOCK) | 
6) SHUTO:(KNIFE HAND)
|  | SHUTO GANMEN-UCHI (STRIKE TO THE FACE) | 
|  | SHUTO SAKOTSU-UCHI (STRIKE TO THE COLLARBONE) | 
|  | SHUTO SAKOTSU-UCHIKOMI (DRIVING STRIKE TO THE COLLARBONE) | 
|  | SHUTO NAKA-UCHI (FROM INSIDE TO THE OUTSIDE) | 
|  | SHUTO HIZO-UCHI (STRIKE TO THE SPLEEN) | 
7) KERI: (KICKS)
|  | MAE-GERI KEAGE (HIGH FRONT KICK) | 
|  | MAE-GERI JODAN (HIGH FRONT KICK) | 
|  | UCHI-MAWASHI-GERI (OUTSIDE ROUNDHOUSE KICK) | 
|  | SOTO-MAWASHI-GERI (INSIDE ROUNDHOUSE KICK) | 
|  | HIZA-GERI (KNEE) | 
|  | KIN-GERI (SNAP KICK TO THE GROIN) | 
|  | MAE-GERI CHUDAN (FRONT KICK) | 
|  | MAWASHI KUBI-GERI (INSTEP ROUNDHOUSE KICK) | 
|  | YOKO-GERI KEAGE (HIGH SIDE KICK) | 
|  | YOKO-GERI (FRONT KICK) | 
|  | USHIRO-GERI (HORSE KICK) | 
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| SOKUGI KATAS :( Kicking Katas ) | |||||
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| URA KATAS:( Reverse Katas ) | |||||
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| TATE KATAS :( Straight line Katas ) | |||||
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| BO KATAS :( Stick Katas ) | |||||
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When you study the Katas, you should tried to consider all the points below 
in order to have a better understanding of all the movements involved in the 
different Katas, only through concentrated study and practice of Kata that we 
can learn to read and understand the language of Kata.. 
 
01. Te Waza (Hand Techniques).
02. Geri Waza (Foot or Kicks Techniques).
03. Uke Waza (Blocks Techniques/Strikes or Grapping Techniques).
04. Goshin Jitsu (Techniques of Self Defense).
05. Genkotsu or Kyusho Jutsu (Vital nerve or pressing points attack)
06. Kanzetsu Waza (Arm bars and joint locking Techniques).
07. Taoshi Waza (Sweep or Takedown Techniques).
08. Nage Waza (Throwing Techniques).
09. Iki no Chosei ( Breathing Control Techniques ).
10. Waza no Kankyu (Ritmo, Tempo and Cadence). (The 
Tempo (fast - slow) of the Techniques. Speed used to perform each 
technique. The tempo of the Kata 
varies, some techniques are performed quickly, while others are done more 
slowly. 
11. Chikara no Kyojaku (Points of Power and Stress). (The 
Force (strong - weak) of the Power. The power of a technique derives from the 
proper balance between strength and relaxation. 
12. Kime (Focus).
13. Tai Sabaki (Body movement, Ashi Sabaki: foot work).
14. Heiho ( Tactics and Strategy ).
15. Ki (Internal energy).
16. Anatomy.
17. Physiology.
18. Point and Circle Theory.
In Japanese and Okinawa Karate there are about 70 Katas (Formal exercises), Kyokushin Karate have around 31 Katas practiced by all Kyokushin groups. Also there are 13 more Katas that Sosai Oyama taught on the beginning of Kyokushin, but later on were left aside. 4 of them were from Shotokan (Naihanchi Ichi, Ni, San, or Tekki 1, 2, 3.) Today some Kyokushin groups are again practicing those Katas and some schools have include them in theirs requirements for grading.
KYOKUSHIN KATAS:
TAIKYOKU ICHI, NI, SAN - OMOTE
First cause - First course. Also, means taking the overview, the large view. See 
the whole rather than focusing on the individual parts. According to a 
translator of the Karate-Do Kyohan "a philosophical term denoting the macrocosm 
before its differentiation into heaven and hearth: hence, chaos or the void".
Taikyoku Katas come from Shotokan and was created by Sensei Gichin Funakoshi en 
1930.
(Northern Kata)
TAIKYOKU ICHI, NI, SAN - URA
Developed by Sosai Masutatsu Oyama en 1980.
SOKUGI TAIKYOKU ICHI, NI SAN 
Kicking Katas 
Developed by Sosai Masutatsu Oyama en 1980.
PINAN ICHI, NI, SAN, YON, GO - OMOTE
In Chinese the Pinan (Heian in Japanese) characters can also be read as "Safe 
from Harm" This translation I believe is more accurate than "Peaceful Mind" ("Peaceful Mind", 
is an incorrect Japanese translation of "Heian" the correct translation in 
Japanese should be "Peace and tranquility"). The Chinese translation of Pinan 
"Safe from Harm" is supposed to mean that once these five Katas and their 
applications have been mastered the Karateka, can be confident in their ability 
to defend themselves in most situations, keeping you safe from being harm.  
Pinan Katas was brought to Japan by Sensei Gichin Funakoshi, but they was created by 
Sensei Anko Itosu. 
(Northern Kata)
PINAN ICHI, NI, SAN, YON, GO – URA 
Developed by Sosai Masutatsu Oyama in 1980.
SANCHIN KATA
This is the oldest Kata in Karate-do. Loosely translated, Sanchin means, 
three battles, three points, or three phases, a reference to the fact that 
Sanchin seeks to develop three elements at a time.
1. The mind, the body, and the spirit.
2. The internal organs, the blood circulation and the nervous system.
3. And the three Ki located in: 
    a) the top of the head (tento)
    b) the diaphragm (hara)
    c) and the lower abdomen (tanden)
Karyo Higaonna (Teacher of Chojun Miyagi, founder of Goju-Ryu) bring it from 
China. 
According to many Okinawan masters Sanchin Kata is based directly on exercises 
taught by Daruma. These are Ekkin Ki(tendon transforming Ki exercise) and Senzui 
Kiko (Marrow cleansing Ki exercise). The first set (Ekkin Kiko) focuses on first 
circulating Ki through the primary meridians then through the whole body. As 
this is done, the muscles and tendons are strengthened and stretched. The Senzui 
Kiko stresses leading the Ki into the bones and up the cerebrospinal system. 
(A Southern Kata, inherited from Goju Ryu).
TENSHO 
Means flowing hands or rolling hands.  
Chojun Miyagi, created this Kata after a deep study of the Chino Rokkishu 
Kata, and as a complement for the Sanchin Kata.
(A Southern Kata, inherited from Goju Ryu).
YANTSU
Means Safe Three, said to be the name of a 19th century Chinese military 
attaché to Okinawa and sometimes translated as "To maintain purity", striving to 
maintain the purity of your principles and ideals, rather than compromising for 
the expedient. Generally it is only found in Kyokushin derived styles and in 
Chinese Kempo schools where it probably originated.
(Northern Kata).
SAIFA - SAIHA
Means Tearing or big wave, stands for the principle that no matter how large the 
problem that faces you, with determination and a strong bushido spirit you can 
break through. It is the Chinese origin, brought back to Okinawa by Kanryo 
Higaonna. 
(A Southern Kata, inherited from Goju Ryu).
TSUKI NO KATA 
Punching Kata. Means Fortune and luck. Good fortune does not come simply by 
waiting. Each time we punch,in this Kata, we should imagine that we are breaking 
down some barrier. Strong, persistent effort directed at our problems will bring 
us good fortune. 
Origin unknown, probably from Shotokan
(Northern Kata).
GEKSAI DAI / GEKSAI SHO 
Means Conquer and occupy. Also means to Destroy or Demolish. Dai means large and 
Sho means small, this labeling is simply an alternative to using numbers. Sai 
means fortress or stronghold, Geki means breakdown. Kata teaches strength 
through motion and the utilization of combinations, mobility and fluidity. 
Flexibility of attack and response will always be superior to, and thus defeat, 
rigid and inflexible brute strenght. 
Creada por Chojun Miyagi (Goju-Ryu founder) in 1940.
(A Southern Kata, inherited from Goju Ryu).
SEIENCHIN (La Tormenta dentro de la calma)
Means conqueror and subdue over a distance, or attack the 
rebellious outpost.  In feudal Japan, Samurai warriors would often go on 
expeditions lasting many months, and they needed to maintain their strength and 
spirit over a long period of time.  This Kata is long and slow, with many 
techniques performed from Kiba Dachi (Horse Stance).  The legs usually become 
very tired in this Kata, and a strong spirit is needed to persevere, instead of 
giving up.
(A Southern Kata, inherited from Goju Ryu).
SEIPAI (18 Hands)
Seipai, is the Okinawan pronunciation of the Kanji 
characters for 18 (pronounced Ju Hachi in Japanese).  In other karate styles, 
this Kata is sometimes called Seipaite, or eighteen hands.  The number 18 is 
derived from the Buddhist concept of 6 x 3, where six represents colour, voice, 
taste, smell, touch and justice and three represents good, bad and peace. 
(A Southern Kata, inherited from Goju Ryu).
KANKU 
Viewing the sky. This Kata is also known as the "Rising Sun". Literally, 
Kan means good observance and Ku means universe or air or emptiness. The opening 
move of the Kata is the forming of a triangle above the head. We form the 
triangle with our hands, and we lean back and stare through it toward the 
universe and the rising sun. The significanse is that no matter what problem or 
dilema you may face, each day the sun rises anew and the universe is before you. 
Nothing is so terrible that it affects the basic reality of existence. As long 
as you are here and the sky and the sun are before you, you are never 
defeated.
This Kata was Introducido en Okinawa en 1756. The Okinawa name is Kushanku 
(Chinese name of the creator).
(Northern Kata).
GARYU 
Means reclining dragon. It was created by Sosai Masutatsu Oyama. Garyu was the 
pen name of Sosai Oyama, in his early Karate life, and represents the  humility 
of a reclining dragon that has power but chooses not to release it. 
(Southern Kata).
SUSHIHO 
Means literally 54 steps. Sushiho is derived from the 
words Useshi, the Okinawan pronunciation of the kanji characters for 54 
(pronounced Go Ju Shi in Japanese), and Ho, meaning walk or step.  Sushiho, originates from Shuri-te Okinawan schools, which were 
heavily Northern Chinese influenced. There may have been a link between the name 
and the original form of this Kata, and the number 54 has close links to 
Buddhist philosophy. This Kata is a variation of Gojushiho Dai 
an advanced Kata practice in the Shotokan style. 
(Northern Kata).
Kyokushin Kata are often categorized as "Northern Kata" or "Southern Kata," based upon their origin and development.
The Northern Kata: These Katas are similar to those found in Shotokan Karate, since they were developed from Sosai Masutatsu Oyama's training under Sensei Gichin Funakoshi. Master Funakoshi in turn derived these Kata from northern Chinese Kempo and Shorin Ryu, the Okinawan Karate style based on Chinese Shaolin (i.e. "Shorin") Kempo. Northern parts of China with the firm flat terrain allowed these Kata to utilize long, powerful stances and strong blocks and strikes. The Northern Kata include:
Taikyoku Sono Ichi, Ni and San
Timing: 
It 
should take 20 to 23 seconds to perform these Katas.
Pinan Sono Ichi, Ni, San, Yon and Go
Timing: It 
should take:
20 to 25 seconds to perform Pinan Sono Ichi
30 to 33 seconds to perform Pinan Sono 
20 to 25 
seconds to perform Pinan Sono San
30 to 33 seconds to perform Pinan Sono Yon
30 to 33 seconds to perform Pinan Sono Go
 
Yansu
Timing:
 It should 
take 1Minute and 2 to 5 seconds to perform this Kata.
 
Tsuki no Kata
Timing:
It should 
take 36 to 39 seconds to perform this Kata.
 
Kanku Dai
Timing:
It should take 1Minute and 40 to 45 seconds to perform this Kata.
Sushiho
Timing:
It should take 1Minute and 15 to 20 seconds to perform this Kata.
The Southern Kata: These Katas were developed from Sosai Masutatsu Oyama's study of the Okinawan Karate style of Goju Ryu under Sensei So Nei Chu, which in turn were derived from southern Chinese Kempo. Southern parts of China with the mountains, hills and rough terrain allowed these Kata to utilize strong legs and shorter stances. The movements in these Kata are more circular and flamboyant than those in the Northern Kata. The Southern Kata include:
Sanchin no Kata
Timing:
'  = Minutes
" = Seconds
2'14" to 2'17" = 
Without Kiai
2'19" to 2'22" = With Kiai
Gekisai Dai and Sho
Timing:
" = Seconds
47" to 50" = Without 
Kiai
48" to 52" = With Kiai
Tensho
Timing:
'  = Minutes
" = Seconds
2'19" to 2'23" = 
Without Kiai
2'24" to 2'28" = With Kiai
Saiha
Timing:
" = Seconds
43" to 46"
Seienchin
Timing:
'  = Minutes
" = Seconds
1'24" to 1'27"
Garyu
Timing:
" = Seconds
38" to 41"
Seipai
Timing:
" = Seconds
46" to 49" 
 
"We might call the individual 
thrusts, blocks and kicks...the alphabet of karate, that is, the individual 
parts from which karate is made. Karate formal exercise (kata), by combining all 
these isolated elements and giving them concrete forms, are like the spelling 
that make the words and sentences of karate alphabet." 
Sosai Masutatsu Oyama
Oyama, Mas - What is Karate? 
copyright 1958, New revised Edition 1966, 6th Printing, 1974; Chapter 8 - Formal 
Exercises. 












